Hod O'Brien

Excerpt from his website bio —


HOD O'BRIEN There are jazz legends and then there are the “underground of the jazz renowned” – those who, although not as well known to the general public, are hailed by critics, revered by their legendary peers, influential upon younger players and sought after by collectors and cognoscenti.

Hod O’Brien is one of these quiet-and-true jazz giants. He burst upon the scene in the late 50s when he came to New York City from his hometown in the Berkshire Mountains of Northwest Connecticut near Lenox, Mass. and Tanglewood. He soon became part of the “loft scene” jamming with other bop-influenced players like Pepper Adams, Kenny Burrell, Oscar Pettiford and Stan Getz, to name a few. At the age of 21, he was hired to record with Art Farmer, Donald Byrd and Idrees Sulieman on a record which has become a classic, “Three Trumpets” (now retitled “Trumpets All Out” on the Prestige label). He became an active part of the NY scene playing at such historical clubs as Birdland, the Continental, the Cork and Bib, the Black Pearl and Small’s Paradise.

While still 21, O’Brien was asked by Red Rodney to take Bill Evans’ place in the Oscar Pettiford Quintet. The group alternated sets with Thelonious Monk at the famous Five Spot, among other appearances. After this stint with Pettiford, O’Brien joined up with tenor saxophonist J.R. Monterose in a band which included Elvin Jones and Wilbur Ware.

O’Brien took a hiatus from the jazz scene from 1963-73 when he returned to Columbia University to study mathematics. While there, he studied composition with Charles Wourinen and was part of Columbia’s contemporary music scene. He later worked in statistical research in the field of psychology but made his way back to jazz in the mid-70s with the opening of his own club, The St. James Infirmary, where he led a house band with Cameron Brown and Beaver Harris and backed up such guest artists as Chet Baker, Roswell Rudd, Lee Konitz, Zoot Sims, Charlie Rouse and others. He followed this with an historic 5-year, 5-night/week engagement at Gregory’s (one of the few upper East side jazz clubs in NY and famous worldwide) with guitarist Joe Puma and various renowned bassists. During this time, O’Brien also appeared at such NY clubs as Fat Tuesday’s Lush Life (with Chet Baker) and the Blue Note.

Many years have passed since the early bebop days and most players on the scene today have been influenced by contemporary jazz, rock, latin and other forms of music. O’Brien’s style is still one of the purest representations of bop piano around (including Barry Harris, with who Hod recorded the CD “Hod Meets Barry”). One can also hear in his playing a healthy infusion of Dave McKenna’s influence.

In 1980, O’Brien teamed up with singer Stephanie Nakasian (who spent two years with Jon Hendricks and Company). Since then, they have toured together all over the world and have won various awards, as well as appearing at major jazz festivals and recording together for radio and on CD. In 1994, at the tender age of 58, Hod O’Brien became a father — he and his wife Stephanie Nakasian and their daughter Veronica make their home in Charlottesville,Virginia.

O’Brien is being “discovered in his prime”, performing around the U.S., Europe, Japan and the Caribbean. His numerous festival appearances include the Toronto and Ottawa Jazz Festivals, the N.C. Jazz Festival, Port Townsend Jazz Festival, East Coast Jazz Festival (DC) and Telluride Jazz Celebration (CO). As well, he was a featured performer on the Jazz Party at Sea and James Moody’s 80th Birthday Cruises. He also had a number of recent triumphant tours in Japan and was featured on the cover of Jazz Journal magazine (England) and in a feature article in Jazz Times.

O’Brien is being recorded quite a lot as a leader these days with 5 new CDs out since 2004 and a Super Audio CD under the Blue Jack label (2 Japanese releases for Spice of Life, and 2 CDs out in 2005 and 1 in 2007 for Reservoir recorded live at Blues Alley, also with Ray Drummond and Kenny Washington). He was selected as one of 10 pianists to perform in Japan on the Fujitsu 100 Gold Fingers Tour in May and June of 2007, along with Kenny Barron, Cedar Walton, Junior Mance, Toshiko Akiyoshi, Cyrus Chestnut, Benny Green, Don Friedman, Joao Donato and Gerald Clayton. As well, he has two recordings on the Fresh Sound label featuring West Coast greats Tom Warrington and Paul Kreibich.

As Nat Hentoff wrote in Modern Recording magazine, “O’Brien is a long-distance swinger (alluding to O’Brien’s five NY and Boston marathons with times under three hours)… Some of the customers know that he was a vital part of the bop scene… but to most listeners, he’s just a guy who makes you feel good on up tempo numbers and who can get inside your memories on ballads.”

Long, fluid lines of improvisation. Strong but easy swinging drive and pulse. Unique style and sound. Purist bop style. Melodic and entertaining....